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J Hardy Carroll's avatar

Jesus this is depressing. Tight, punchy prose is a hallmark of excellent journalism. Look at Charles Bowden's crime writing for the Tucson Citizen, or Ernie Pyle's columns during WW2. Hell, Woodward and Bernstein were hammer-and-nails guys who could write the hell out of things.

American prose has its roots in journalism, most notably in the backgrounds of John Steinbeck and Ernest Hemingway. Cub reporters filing stories is the backbone of "I was educated at the public library" writing. David Simon is another recent example. It's why they write real shit.

How the hell is somebody supposed to learn how to write good prose without having to shell out 50k for an MFA that tells you that writing a memoir at 25 is a good idea?

We have great journalists out there who are dedicated to the craft of writing grammatically correct prose that quickly tells the story in inverted-pyramid fashion. They understand the importance of context both compelling and crucial, as it was with Jen Percy's excellent Atlantic story about the female Afghan warlord or Martha Gellhorn's war reporting (way better than Hemingway's, BTW).

What would Ben Bradlee think of this shit? Not that Bezos would let him keep his job, but hey.

Mark Dtayo's avatar

The grief about what journalism was is real.

I wrote an entire section honoring it.

My in-laws owned newspapers.

I still read the paper every morning.

But Woodward didn't refuse the photocopier because hand-copying Library of Congress slips was more pure.

The tool changed.

The judgment didn't.

The full piece is here: https://tmaark.substack.com/p/im-ai

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